Marcelo M. Wanderley
McGill University
H-index: 47
North America-Canada
Top articles of Marcelo M. Wanderley
Title | Journal | Author(s) | Publication Date |
|---|---|---|---|
Tools and Techniques for the Maintenance and Support of Digital Musical Instruments | Proceedings of the International Conference on New Interfaces for Musical Expression | Albert-Ngabo Niyonsenga Marcelo Wanderley | 2023 |
eTu {d, b} e: Case studies in playing with musical agents | Proceedings of the International Conference on New Interfaces for Musical Expression | Tommy Davis Kasey Pocius Vincent Cusson Philippe Pasquier Marcelo M Wanderley | 2023 |
Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France) | Marcelo M Wanderley Christian Frisson | 2023/7/17 | |
Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub | Proceedings of the International Conference on New Interfaces for Musical Expression | Paul Buser Kasey Pocius Linnea Kirby Marcelo M Wanderley | 2023 |
Challenges and Opportunities of Force Feedback in Music | Christian Frisson Marcelo M Wanderley | 2023/7/10 | |
T-Patch: a software application for T-Stick Digital Musical Instruments | Proceedings of the International Conference on New Interfaces for Musical Expression | Takuto Fukuda Marcelo M Wanderley | 2023 |
Feeling the future—haptic audio | Justin Paterson Marcelo M Wanderley | 2023/7/7 | |
The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs | Proceedings of the International Conference on New Interfaces for Musical Expression | Eduardo AL Meneses Thomas Piquet Jason Noble Marcelo M Wanderley | 2023 |
Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework | New Interfaces for Musical Expression (NIME’23) | Brady Boettcher Eduardo AL Meneses Christian Frisson Marcelo M Wanderley Joseph Malloch | 2023/6 |
MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback | Ziyue Piao Marcelo M Wanderley Felipe Verdugo | 2023/11/12 | |
Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME | Proceedings of the International Conference on New Interfaces for Musical Expression | Marcelo M Wanderley | 2023 |
Informing sound art design in public space through soundscape simulation | INTER-NOISE and NOISE-CON Congress and Conference Proceedings | Valérian Fraisse Nadine Schütz Catherine Guastavino Marcelo Wanderley Nicolas Misdariis | 2023/2/1 |
Sticking choices in timpani sight-reading performance | Frontiers in Psychology | Benjamin Bacon Stuart Jackson Ian Marci Fabrice Marandola Marcelo M Wanderley | 2023/9/14 |
Exploring musical form: Digital scores to support live coding practice | Francesco Ardan Dal Rì Raul Masu | 2022/6/9 | |
Proximal-to-distal sequences of attack and release movements of expert pianists during pressed-staccato keystrokes | Journal of motor behavior | Felipe Verdugo Mickaël Begon Sylvie Gibet Marcelo M Wanderley | 2022/5/4 |
From fiction to function: Imagining new instruments through design workshops | Computer Music Journal | John Sullivan Marcelo M Wanderley Catherine Guastavino | 2022/9/1 |
Introducing the t-tree: Using multiple t-sticks for performance and installation | Linnea Kirby Paul Buser Marcelo Wanderley | 2022/6/16 | |
Feeling the Effort of Classical Musicians-A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance | Felipe Verdugo Amedeo Ceglia Christian Frisson Alexandre Burton Mickael Begon | 2022/6/16 | |
ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics | Christian Frisson Mathias Kirkegaard Thomas Pietrzak Marcelo M Wanderley | 2022/6/16 | |
Le bâton: A digital musical instrument based on the chaotic triple pendulum | Matthew Skarha Vincent Cusson Christian Frisson Marcelo M Wanderley | 2021/4/29 |
Co-Authors
